Author: natamagat

Random thoughts from a French incomer in rural England. Interested in the love/hate relationship between the English and the French (unavoidable), community matters (they affect us whatever nationality), tourism (my original career with an MA in Tourism albeit a French one), photography (images speak a thousand words, although only the good ones), and words (mostly English words with a few French ones thrown in) Pardon my Franglais if you will.

Reducing food miles around Bridport with Open Farm Sunday 2011

Many of us like to know where our food comes from these days. In West Dorset, we are particularly lucky to have a wealth of amazing produce and Open Farm Sunday is a great opportunity to discover behind the scenes of a couple of our local farms and really see where our meat, dairy products and vegetables come from.

Open Farm Sundays started in 2006 with 300 farmers sharing their knowledge and love of the countryside and every year tens of thousands of people enjoy asking questions, sampling produce or buying direct from the farmers.

My family went to visit Denhay and Washingpool Farms last year. I must admit that my husband and children were not totally convinced when I suggested it but they did enjoy it, much to their surprise.

Denhay Farm, run by the Streitfield family in Broadoak are famous for their Farmhouse Cheddar. We hopped on a trailer, hay bales for benches, tractor taking us up through the large farm to the dairy whilst George explained the importance of edges, how and why they have changed over the years and talked a bit about organic agriculture.

In the dairy, we discovered 21st century milking from a balcony. It’s quite a sight and was interesting for the children to see the first part of the milk journey to their glass. We might live in West Dorset and have friends who are farmers, it’s always interesting to see a farm on that scale.

Amanda Streitfield then did a talk on how their award-winning Farmhouse Cheddar is made and showed us the huge cylinders being matured into pure taste. We stocked up on cheese and bacon whilst drinking a welcome cuppa and went on to Washingpool Farm.

Locally, we all know Washingpool Farm shop in North Allington, a few minutes outside of Bridport so it was really interesting to walk through the market garden behind the shop and see where these fruits and vegetables are grown; food miles, what food miles?

For Open Farm Sunday 2011 Washingpool Farm also have sheep shearing and a photography competition. Click!

Denhay Farmhouse cheddar maturing

Open Farm Sunday website

Denhay farm website       Washingpool Farm website

Les Ateliers Ouverts de Bridport, Dorset Occidental

English version

Bridport et sa région du Dorset Occidental est un petit coin qui inspire les artistes, un peu comme la Normandie et ses ciels changeants avait inspiré les Impressionistes. Depuis 1999 les ateliers de Bridport s’ouvrent au public pour le ‘Bridport Open Studios’ et chaque année le nombre grandit. En 2011, c’est 100 artistes dans 58 lieux d’exposition qui ont offert à un public grandissant leurs oeuvres d’art au mois de Mai.

Les artistes sont variés, certains sont déjà cotés, d’autres débutent. Les prix sont en conséquence très différents suivant les artistes et les supports. Il y a bien sur des peintres, mais également de la sculpture, céramique, mobilier, photographie, textiles, illustrations, chapeaux, bijouterie ou gravure sur bois.

Même si tous les artistes ne représentent pas directement la Côte Jurassique dans leur art, les collines rondes ou les vallées cachées qui nous entourent, ils sont tous inspirés par l’atmosphère particulière et variée du Dorset Occidental. Au milieu d’une campagne agricole où bio est plutôt la norme, de monts d’où les vues sont un patchwork aux couleurs qui changent avec les saisons, d’une côte unique recélant des fossiles préhistoriques, on trouve une ville pleine de contrastes: Bridport.

Les temps ont changé pour ce port qui fournissait des cordes dans le monde entier, y compris aux bourreaux de Londres. La longue usine où les cordes étaient tressées à été adoptée par des artistes qui ont fait revivre cet espace industriel. Dans des petits villages proches mais presque perdus, d’autres artistes et artisans ont redonné vie à des écuries ou autres bâtiments agricoles, d’autres travaillent simplement de leur maison ou cottage.

C’est peut être cet éclectisme artistique et géographique qui fait que Bridport Open Studios attire maintenant des collectionneurs d’oeuvre d’art non seulement de la région mais également du Sud-Est de l’Angleterre.

La communauté d’artistes de Bridport m’ont demandé d’être leur ‘directeur d’évènement’ pour Les Ateliers Ouverts de Bridport de 2012.

Pour plus de détails sur les artistes qui ont exposé en 2011:

BridportOpenStudios

Artiste Andrew Leppard, copyright Nathalie Roberts

Bridport Open Studios 2011

Bridport Open Studios finds new director via twitter

It started with a tweetup in Bridport and ended with the next director for Bridport and West Dorset Open Studios: me!

“What’s a tweetup?” friends always ask. Well, it’s a “Let’s meet up for a coffee” organised on twitter, in this West Dorset case by @tim_harrap

So a bunch of West Dorset tweeters had a coffee and a chat in Bridport in April. We discovered new faces behind the 140 characters and caught up with friends.

@kitglaisyer mentioned that the ‘Bridport and West Dorset Open Studios’ group were looking for a new director for 2012 as Philomena Harmsworth, the current director is moving away from the area. @RealWestDorset suggested to @kitglaisyer that he thought I would do a good job. Very kind.

Let’s hope he was right as Kit and Philomena have asked me to be their next director and I have agreed. We had our first meeting tonight with many artists who took part this year giving us feedback on this year’s event. It was great to see such a good turn out. There were many ideas for us to work on for next year, good things to keep and things we can try and improve on to make BOS an even bigger and better event next year.

I’ll keep you informed, via twitter of course, here and on the BOS website

Here is my post about the event and the launch.

and here is an image of the tweetup!

West Dorset Tweetup

Entangled by the meaning of art

The first time I went to Bridport Open Studios a couple of years ago, I met Sally Davies.  We had a long chat about art, photography, photoshop and going for it. When I saw her again at the 2011 launch last week, I was impressed she remembered me. I certainly hadn’t forgotten our conversation.

Sally works from her own original photographs and transforms them; some would say into works of art, some would disagree. Nothing new there.

How long did it take for photography to be recognised as art? Is technology any less of a tool than a paint brush, a scalpel or a hammer simply because it is more widely available? 

Here is an image I created a couple of years ago entitled ‘Entangled’. I still get compliments from its print on my wall.
I know some people don’t like it.
I know it has flaws.
I still love it.

Entangled

And here is a link to Sally’s website:

 

Artists at work in Bridport, West Dorset

poste en français

Spending a couple of hours chatting to artists at St Michael’s Studios today in Bridport was fun. Artists studios in Bridport and the surrounding West Dorset villages are open to the public for the week, a great opportunity to discover new talent or have a look at more established artists’ new work.

It’s always inspiring to look at art but I find the people behind the paintings, the photography or the montages equally interesting. That’s what I love about the idea of Open Studios. Seeing the artists working is quite a mixed feeling. On the one hand it’s fascinating to see the image slowly -or quickly- appear on paper, canvas or screen but on the other there is a certain feeling of intrusion.

Some are happy to keep on working, clearly in their own world, their mind inside the canvas, others would rather chat and feel a bit awkward at having somebody looking over their shoulder, and I can’t blame them. The art on show is very varied and I only saw a tiny part at St Michaels’. There are 58 venues in all and 100 artists. Pottery, textiles, furniture, woodcraft, jewellery, millinery, sculpture, digital art, screen printing… Something for everyone?

__________
Philomena Harmsworth working during Bridport Open Studios 2011

Artist at St Michael's Studio, Bridport
Copyright Nathalie Roberts

Bridport Open Studios’ 2011 launch

Bridport and West Dorset Open Studios is becoming quite a busy affair if the launch at the Bull Hotel yesterday was anything to go by. It was a really pleasant evening filled with artists and art lovers. All the local artists who take part in the Bridport Open Studios submitted three 6×9″ artwork which was displayed along the long walls of the Ball Room with prices almost as eclectic as the art on show.

Affordable art
Having said that there was nothing above £90 so it was all affordable, even from more established artists like Kit Glaisyer or John Boyd. Many artists were there which was great for buyers who could have a chat with them and for artists who could tempt the art lover to come and see larger work in their studio in the coming week.

How did Bridport Open Studios start?
I had a chat with Caroline Ireland who started Bridport Open Studios in 1999. Back then, she knew there were a fair few artists working locally but there was a lack of outlets for showing their work and coordination was needed to reach out to the public. A few posters around the town, some meetings, a lot of hard work and the annual event was born. It gets bigger every year attracting more and more artists and art lovers.

This year, the team who organise the Bridport and West Dorset Open Studios was headed by fellow artist Philomena Harmsworth who directed the 10 day long event. With 58 venues, some with several artists, the usual August Bank Holiday weekend was getting too short if you wanted to see all the local artists studios (or even half!).

 7 year old art lover invests in an original watercolour
My favourite part of the evening, apart from chatting with several artists and friends, was to see seven year old Sarah proudly hand her £2 pocket money to buy an original work of art from Sheila Edmunds. Sheila is part of ‘Spectrum’ a collective of talented amateur artists who will show their work in the Friends Meeting House in South Street on Saturday 21st. As for little Sarah, she was very happy with her watercolour of a dog that she tells me she will hang in her room.

Bridport and West Dorset Open Studios, 21-30 May 2011.
Brochure with participating artists’ addresses available from Bridport Arts and Crafts, tourist information centre and many shops around Bridport or online:

Sarah buys a watercolour at the Bridport Open Studios

Confiture avec de l’agneau: Chef Richard Guest ou la cuisine anglaise

C’est sur que ‘Jam with Lamb’ ça rime et ça sonne bien. Quand on le traduit, tout à coup on décrit ce que les Français imaginent de la bouffe anglaise: de la viande avec de la confiture. C’est aussi le titre fort à propos d’un livre de cuisine du chef Richard Guest qui célèbre les produits du Sud-Ouest de l’Angleterre suivant les saisons à travers des recettes traditionnelles anglaises et quelques classiques français.

Avec une étoile Michelin qui le suit dans trois restaurants depuis 18 ans, il n’y a aucun doute que Richard Guest est l’un des meilleurs chefs Anglais. C’est aussi un ami à moi, mais on sait que Michelin ne donne pas ses étoiles à qui mieux veut donc si je chante ses louanges, ce n’est pas parce que c’est un ami.

Richard vient d’ouvrir un bistrot dans le Sud-Ouest de l’Angleterre, à Taunton: Augustus. Au Sud de Bristol et au nord d’Exeter, ce n’est pas un endroit à priori évident pour ouvrir un restaurant. Taunton n’est pas une ville particulièrement touristique même si le Sud-Ouest est une destination de vacances bien prisée en Angleterre. Mais Richard a de bonnes raisons de rester où il connait.

La carrière de Guest

Guest a tout d’abord été inspiré par le chef Marco Pierre White. Imaginez un mec aux cheveux longs, cigarette au bec, avec un caractère de cochon (White, pas Guest, il ne fume pas et a les cheveux courts!). A 33 ans White devenait le premier chef anglais et le plus jeune chef à obtenir trois étoiles Michelin.

Le jeune Guest, qui comme White est un type du Nord, -et croyez moi il y a une frontière en Angleterre entre le Nord et le Sud, avait trouvé en White l’inspiration qui le fit partir à Londres, le seul endroit où on pouvait vraiment faire ses marques dans les années 80, Sud ou pas. C’est là que Richard a travaillé avec Jean-Christophe Novelli qui lui appris -entre autres- l’art de goûter et lui a permis de s’exprimer dans sa cuisine. Novelli avait raison de lui faire confiance puisque c’est là que Richard a obtenu sa première étoile Michelin.

 Du Nord au Sud-Ouest en passant par Londres

Mais le chef du Nord a rencontré une belle blonde du Sud-Ouest chez Novelli et en 1999, Richard se retrouvait au Castle Hotel à Taunton, à la tête de son restaurant déjà réputé. Ce qui a plu à chef Guest après toutes ces années à parfaire une cuisine ‘française’ c’est que le patron, Kit Chapman, voulait la même perfection mais avec une cuisine anglaise et les clients ne s’attendaient pas à moins.

De ‘Jam with Lamb’ à Augustus

Ce qui explique comment on se retrouve avec un bouquin de cuisine intitulé ‘Jam with Lamb’. Anglais et fier de l’être, Richard Guest compte sur ses producteurs et leurs excellents produits qu’il transforme en des petits moments de plaisir. Qu’il cuisine pour un patron français, anglais ou comme dans son nouveau restaurant Augustus pour lui même, je n’ai jamais été déçue par la cuisine de Richard. L’assaisonnement est toujours parfait, chose rare, les produits sont locaux, de saison et frais, la présentation superbe et le résultat un vrai plaisir.

Le Sud-Ouest étant une région plus ensoleillée que le reste de la Grande-Bretagne, les fermiers et maraichers nous vendent des produits souvent meilleurs que ce que l’on peut trouver en France, si on sait les trouver. De plus en plus, il ne s’agit plus de copier la France mais de retrouver les races de mouton ou les pommiers qui appartenaient à la campagne environnante et ont disparu grâce à la révolution industrielle, les exigences des supermarchés et les changements d’habitudes des consommateurs.

Depuis quelques années, les Anglais se réveillent de leur longue torpeur. Comme Richard Guest ou le célèbre Heston Blumenthal (qui a d’ailleurs travaillé avec Marco-Pierre White et a maintenant trois étoiles Michelin) les Anglais redécouvrent leurs racines culinaires et même si les meilleurs chefs ont tous plus ou moins fait un ‘stage’ chez des chefs français (ou à influences françaises), ils louent enfin leur propre cuisine, à juste titre.

Célébration de la cuisine Anglaise

Donc ‘Jam with Lamb’ c’est une célébration de la cuisine anglaise. Et oui, ils mangent de la confiture avec de la viande. C’est vrai que dans le Sud-Ouest nous avons une abondance de fruits en été. Les pommes, les groseilles, les fruits du rosiers sont autant de produits qui ne peuvent se garder durant l’hiver que transformés; cidre bien sur, mais également confitures ou gelées. Les Anglais sont forts pour ce genre de ‘conserves’, après tout on a adopté leur marmelade.

Et pas de grimace si vous n’avez pas essayé. Il faut goûter un morceaux d’agneau juste à point avec une bonne gelée de groseilles faite maison. Pas la gelée du supermarché rouge comme de la betterave que je mélangeais enfant avec des carrés Gervais. J’aimais bien quand j’étais gosse mais une gelée maison n’a rien à voir avec. Mais bon, ce n’est pas tout sucré-salé. Par contre à Augustus, c’est tout bon.

Richard Guest et son partenaire maitre d’hôtel Cédric Chirrosel ont ouvert leur restaurant donnant sur une petite cour intérieure au coeur de Taunton avec une terrasse pour les beaux jours (et il y en plus qu’on croit!). Au contraire de ce dont ils avaient l’habitude au restaurant huppé du Castle Hotel où ils travaillaient ensemble, Augustus est simple d’apparence. Confortable et sympa on n’y trouvera pas de nappe blanche, de verres en cristal ou des clients qui chuchotent. C’est avant tout un bistrot dans l’âme, comme le voulait Guest, mais son art de faire, il ne l’a pas laissés sur le pas de la porte. Vous ne le trouverez pas encore dans le guide Michelin, mais croyez moi, Augustus est un restaurant ‘à suivre’.

Vous savez ce qu’il vous reste à faire si vous allez vers Taunton.

www.augustustaunton.co.uk

Richard Guest’s Augustus in Taunton… one to follow

I remember the first time I ate Richard’s food. He’d been Head Chef at the Four Seasons restaurant in Park Lane for Jean-Christophe Novelli and they’d just opened Maison Novelli in Clerkenwell. I’d met Richard socially a couple of times, had never heard of Novelli and had spoken food (pretty rare in those days with a normal English person). I just had to try this funny, approachable Northerner’s food. It was the best I’d eaten in London and totally on a par with what I had enjoyed in France, when my father treated us to Michelin stared restaurants.

For clarity’s sake I must tell you that Richard Guest and his wife Vicky are now friends of mine. So let me stick with some facts: After a YTS apprenticeship in York, Richard’s first kitchen was the Savoy’s in London in 1990, then Novelli’s Four Seasons (Sous-Chef, 93-96, Michelin Star), Maison Novelli (Head Chef, 96-99, Michelin Star, 3 AA rosettes) then Castle Hotel, Taunton (Head Chef, 99-2010, Michelin Star, 3 AA Rosettes). If you don’t already know Richard, that should give you an idea.

I equally enjoyed W8 (another Novelli venture) and was delighted when Richard and Vicky headed for the West Country. The Castle Restaurant did not disappoint as far as the food was concerned. I did find the atmosphere a bit too cold. Whilst I don’t like loud guests when tucking into my main in a posh restaurant, feeling the need to whisper is not conducive to fully appreciate the wonderful fare on my plate. The dining room was just too old fashioned for me. Its recent closure therefore did not come as a surprise. It is understandable that the establishment is concentrating on the Brazz with new chef Raftery. I have no doubt they will do well with another great chef.

So what about Augustus then? 

Richard does fine dining well, his recognition proves it. What he has always loved though is ‘simple’ food that highlights the produce of his great suppliers and changes with the seasons. Whilst he’s never said so, I imagine that when you have an absolute passion for the joy you create, heading a kitchen that feeds dozens of people in the space of three or four hours must take its toll. I always compare chefs to artists. They create inspiring compositions for all the senses. Once on a conveyor belt, the soul gets lost.

In fact, Richard would totally disagree with me. He does not like the “airy-fairy French guys romanticising about food”  to quote his book Jam with Lamb. Well he is a no-nonsense Northerner. I have airy-fairy tendencies, French or otherwise.

My husband and I -and many other friends- have been trying to get Richard and Vicky to join the Hix, Riverside or Wild Garlic of West Dorset and the constant sprouting of good gastro-pubs our area is enjoying. Unfortunately for us but understandably, Richard was keen to work with suppliers and a business partner he knows well and trusts. So he opened Augustus in Taunton with front of house Cédric Chirrosel, former Castle Hotel restaurant manager. It was always going to be called Augustus, after Roald Dahl’s character in Willy Wonka.

The Courtyard on St James Street is a great setting for a bistro. We parked a few steps away, the sun was shining, the outside tables were full, wine was flowing and the atmosphere was positively European. The inside is small, simple, comfortable and welcoming. Cédric is attentive, informative and helpful; Richard is nowhere to be seen, kitchen and small team oblige.

I’m not a food critic so I’ll be brief on food description: a meltingly delicious starter of Goats Cheese croquettes on a crunchy mix of salad and vegetables, a perfectly cooked main of lamb with a just-so creamy potato gratin and a ratatouille that made me think I was in the South of France. I know many people believe that Michelin is a load of rubbish. Having said that, once you have experienced fine dining of a high standard, your brain remembers it. Anything after that can be good, few will be brilliant. It’s about the small details, the subtle tastes that surprise you for being put together yet complement each other.

A few tender yet crunchy baby broad beans were a surprising firm bite in the middle of the soft salad leaves; mixed with goats cheese croquettes, it just worked. It’s about the total attention to detail, perfect seasoning (which I find really hard to achieve myself let alone find in a restaurant), trustworthy suppliers, absolute love and belief in what you create. I’ve gone all airy-fairy again. In his Jam with Lamb book written five years ago, Richard says it’s about the right produce at the right time. We know that’s true.

Richard Guest wanted to open a bistro called Augustus. He just got distracted by a few Michelin stars on the way but Augustus is here and well worth a visit; Taunton is not that far after all…